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Sulgrave Manor
The ancestral home of the
Washington Family in Britain
Why is the connection with George Washington so
important? In certain respects George Washington
appears an irrelevant figure in the modern world. He
was, after all, a wealthy Virginia landowner, a large
slaveholder, a gentleman farmer, and a hierarch who, as
a man of his time and class, accepted many of the
inequalities of his day. An unlikely revolutionary, to
the modern eye!
But, as a man of that same class, he also cherished
virtue, moral courage, self-discipline, and a love of
freedom – in the sense of autonomy from external
dominion – and it was this fear of British ‘enslavement’
that made him join the Revolution. The Declaration of
Independence – the founding text of the Revolution that
Washington led on the battlefield – asserted ideas of
freedom and liberty that were radical for their time.
American Revolutionaries proclaimed a ‘self-evident
truth’: ‘all men are created equal’ and ‘endowed by
their Creator with certain inalienable Rights’,
including ‘Life, Liberty and the pursuit of Happiness’.
As commander in chief Washington has won the admiration
of history not simply as a fearless and natural military
leader, but as one who established and fought to
maintain the principles of civilian control of military
affairs. He was, in common with others of his class, no
subscriber to mass democracy – political rights were
mostly restricted to free, propertied males – but, even
so, the Revolution he led was committed to a radically
new form of government erected on the representative
principle. Having been in his early years an active
buyer and seller of slaves, during the struggle for
independence he began to describe slavery as a great
evil and subsequently emancipated all his slaves in his
will – the only Virginia founder to do so. As the new
republic’s first (and reluctant) president he was
determined the country would not tumble into despotism,
tyranny or anarchy – nor monarchy. For all these
reasons, Henry Lee was right to say of Washington – as
many still do today, with similar force – that he was
‘first in war, first in peace, and first in the hearts
of his countrymen’.
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The
house through the Centuries
Sulgrave Manor.
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Sulgrave
Manor is a small manor-house, built by a Lancashireman
born at Warton about 1500.
The shabby farmhouse that was bought in 1914 was smaller
than the house that Lawrence Washington built.
The parts which remain of his house are to the south,
the porch and screens passage and the Great Hall on the
ground floor, the Great Chamber and two smaller rooms
above. Today there is a west wing, containing the
Director's quarters, constructed at the restoration
completed in 1929. The frontage in Tudor times was
considerably wider than it is today. The porch was, as
now, central. To the west was the kitchen and buttery,
to the east the Great Chamber and more. It is not now
possible to tell how far the house extended in either
direction, but in 1920 a huge boulder, which could have
been a foundation stone, was dug up about fifty feet to
the west of the present house, and others were found in
a line with the existing frontage. Moreover, the present
exterior wall at the east end of the Tudor building will
be seen to have been an inside wall. A Tudor pattern
fireplace shows itself at first floor level, with, above
it, the projecting oak purlins, sawn through between
1700 and 1780 at the time when parts of the house, for
reasons unknown, were pulled down. Parts of the Tudor
house, which Robert, the builder's son, had enlarged,
had already been destroyed by 1700, when John Hodges
built the north wing which runs at right angles to the
Tudor portion and contains at ground level the Oak
Parlour and Great Kitchen and, above, the Chintz and
White Bedrooms.
The local limestone of which the house is built is not
dissimilar from that of the Cotswold country. The roofs
are both stone-tiled, the pitch of the Tudor roof being
steeper than that of the north wing. The Elizabethan
red-brick chimney stacks are characteristically set at
an angle, in contrast with the Queen Anne chimney stacks
of solid stone with a projecting base.

The south porch showing the intriguing armorials
essayed in pargiting - probably a typical Tudor
"pun",
or rebus, by Lawrence Washington, his second
wife's maiden name being Pargiter.
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The
entrance to the house in Tudor times was by the porch at
the south. It was added by Lawrence Washington after he
had completed his south front, and above the doorway he
had placed, in plaster, the royal arms and the initials
ER for Elizabeth Regina. Of these arms little more can
be seen now than the heraldic supporters, a lion crowned
and a dragon, together with a fleur-de-lys and Tudor
rose.
Above the arms, near the gable, is a triangular device
with small birds on either side; and the plasterer,
covertly illustrating the source of his own wages, added
on the left a lop-eared sheep with falling collar and on
the right a lamb wearing an Elizabethan ruff. The sheep,
the lamb and the birds have tiny pieces of charcoal for
their eyes.
In the spandrels of the doorway were carved the arms of
the builder's family, three mullets (stars) and two bars
(stripes); not unnaturally, it has been held that here
is the origin of the design of the American flag. The
arms are to be seen quite clearly in the right-hand
spandrel. Those in the left were 'differenced' by a
crescent beneath the bars, indicating descent from a
second son (the builders grandfather was the second son
' of Robert Washington of Warton), but they have long
been indecipherable.
Between the royal arms and the doorway is another
representation, in plaster, of the Washington arms,
quite modern, and replacing some device the nature of
which had become unknown by the eighteenth century. The
north courtyard, formed by the Tudor and Queen Anne
wings and the gabled end of a building used formerly as
a brewhouse and a barn, contains three stone doorways,
one leading into the kitchen, one into the Great Hall
and one in the south east corner.
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